| ISSUE №182 · ACCOUNT MANAGEMENT |
Editor’s Note: This is the 5th installment of our Business Functions Series. Find the other issues here: Activities To Functions - AIC #178, Client Delivery Function - AIC #179, Admin Functions - AIC #180, Agency Cash Management - AIC #181
Delivery & Account Management Are Different
You've probably considered at some point putting a project manager in front of your client. After all, the project manager is good at handling details and keeping things on track, and that's what clients want, right?
NOPE
Clients want to know that somebody is looking out for them. They want to know that somebody is paying attention, somebody is being thoughtful, and somebody is finding a way to make their business better. As I wrote way back in AIC #29, the Account Manager is actually The Account Conductor.
Let’s Make Some Music, Shall We?
The account manager is managing the cacophony of client needs, agency operations, and strategy into a beautiful symphony of growth and opportunity. But the ten bazillion dollar question is, “How the fuck do we get there?”
Often, if you are a founder doing selling, a client will say something that they think is really important, like, "So, you are going to be the one managing our account, right?" and often, in your first one, two, or five clients, the right answer will be “Yes, of course!”
And it needs to be that way at the very beginning because you are still trying to define the product of your agency: What does the client strategy look like?, What does the delivery workflow look like?, What does reporting look like?
You are trying to figure all this stuff out, and the very best way to do that is to fucking do it yourself. but somewhere around client number five, it's all too much. You can't do it anymore. You cannot be the conductor that creates beautiful music from client needs, staff needs, agency growth needs, delivery problems, finance and admin, and all the other stuff that you have to do as a founder. Immediately, you think, "I know I will hand account management over to a media buyer or keyword researcher or graphic designer or somebody."
So you toss all of that responsibility onto someone's lap and then spend the rest of the day worrying that they have fucked up a client call. And they have, almost certainly. Immediately, you hop on your white steed, ride into the next account call, and save the day. You, my friend, feel like a hero.
You’ve fallen into a classic trap of investing your time in fulfilling the activities that you've been contracted to do. I'm sure in the last couple of issues I have mentioned that you are the chief executive officer, not the chief execution officer or the chief doing officer or the chief make-it-work officer or anything else. You have to consistently remember that your job is not to do the stuff that your agency does. Your job is to run the fucking agency. Let's jump in and figure out how we turn this account conductor role into something that is real, tangible, and that you can manage this business function really well.
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You Are The Composer, Not The Conductor or The Orchestra
The idea of a composer is exactly the right one. The composer creates the world through the music that they write. They evoke emotions. They create musical logic. They create tension and relief. They help bring insight, and they translate specific experiences into a universal understanding.
In order to create an Account Management unction you have to write the freaking symphony. This is a through line that is true amongst all business functions - each business function needs a definition of good, and that definition comes from the symphony that you write.
Here are the elements of your symphony (in no specific order):
Your Client’s Goals
Your Team’s Activities
Data
Your Team’s Collective Insight And Experience
You & Your Team’s Deep Understanding of Your Client’s Market
You & Your Team’s Deep Understanding of Your Client’s Customers
Technology (Tracking, Platform Changes, etc.)
Your Team’s Ability To “Contextualize” What Changes, Results & Data Means To The Client Goals
Your Team’s Ability To Describe The Second Order Impacts That You Have On Your Client’s Business
Your Team’s Ability To Lead The Client
Your Team’s Ability To Anticipate Questions and Concerns
That List Isn't A List…It's Your Score
Every one of those elements exists somewhere right now. Most of them exist in your (or somebody’s) head.
That is the actual problem. Back in AIC #178 I said the reason you can’t hand off a function is that you have trapped all the context about it inside your own head.
Account management is that trap at it’s worst, because context doesn’t easily fit in a process doc or a checklist. It sits in the conversational history with that client, the thing their CMO said on a call back in March, and dating back to when they were a prospect rather than a client.
A composer doesn’t hum at the orchestra and hope they pick up the melody.
They write a goddamn score
Your job is to write down what good looks like for every element on that list, so that somebody who is not you can pick it up and play it. YOU ARE CREATING THE STANDARD
What does good contextualization actually sound like?
What does a real point of view on your client's market look like?
What does leading a client mean?
If you can’t answer those in writing, or bring an example that can be systematized and structured, you don’t have an account management function. You have you, & some very nice people who send emails with links to reports inside.
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About That White Steed
Let's go back to the moment you rode in and saved the call.
It worked! You got on the call, you smoothed it over, the client relaxed, and the account stayed. You were right, and you were the only person who could have fixed it that day.
And, FYI, you just trained your client (and your account manager) to do something that you REALLY don’t want.
This is what happens next, every single fucking time:
The client learns that you're reachable, so they escalate.
Your account manager learns that the client escalates past them, so they stop being proactive…
When they aren’t proactive, it means there’s no real direction, energy, or love being put into the account
The client stays a little salty because they know that it gets action from you, and you can do things that the account manager can't…
I call this the Escalation Ratchet, because a ratchet only turns one direction. There's no version of this where the client wakes up next month or quarterand decides they'd rather deal with your account manager after all.
You didn't rescue that account - you fucking grabbed it and said “It’s mine!”
In AIC #179 I told you about the five words that kill your growth: "NEVER MIND, I'LL DO IT." This is the client-facing version, and it's worse.
When you take over a deliverable, it only really screws up your team workflow and puts more stuff on your plate. BUT, when you take over a relationship, you have disintermediated your own agency and become a contractor for your client. (And you showed your team that you don't really trust them to do hard and important stuff, either…)
In AIC #180, I told you a story about poking my head into an ops meeting & I sucked all the oxygen out of the room. That was bad, but I could fix it by apologizing and remembering not to do it again. But once you train your client to think that they get better results by dealing with you and you train your team that you are willing to push them aside, that genie isn't going back in the bottle. You can't really undo that…
The Four Movements
If your account manager is the conductor, what are they actually conducting? They are conducting the score that you wrote - and almost all agency scores have four movements:
Context: Your account manager is your ears and mouth inside the client's building, and your client's ears and mouth inside of your building:
Voice of The Client is everything happening at your client that your team can't see. There’s shifting budgets, or new launches, or other parts of their business are doing well or poorly. The account management job is to build enough trust and ask enough questions so that what’s is important to the client to gets to your team ASAP so that your team is never caught off-guard and can anticipate needs based on client-side priority changes.
Voice of The Agency is your team's thinking, translated. Nobody on the client side cares that you have structure the Meta ads account so it is Andromeda-friendly. They care that CAC has dropped by 12% (Yay!!) and they want to know if that means they should spend more, focus on a different product line, put something on sale, or what.
Orchestration: The account management function needs to know who to pull in, and when. Does the client need to hear from the creative strategist, your data analyst or the one person who actually understands what the latest platform change means right now. A project manager knows what is due, a conductor knows who needs to be playing right now, and who needs to stop playing right now.
Leadership: The account manager needs the authority & autonomy to tell a client that having another 50% off sale isn’t going to save their month, or warns them that changing all of their URLs without an SEO plan is a disaster waiting to happen (even if you aren’t an SEO agency…). It's being a peer instead of a vendor. I've written a lot about this, so here's the short version:
You don't retain clients by serving them, you retain them by leading them.Accountability & Boundaries: A good account management function defends the boundaries of the scope as sold, makes sure that your team is hitting the required marks and being honest with clients about the reality of their goals and your ability to hit them. PLUS, the account management function also needs to see what ELSE can be done to create more opportunities - the account management function needs grow the accounts you already have.
By the way, that last one is hard…learning to say no to clients, learning to light a fire under your own team, and to think about what’s best for the client is a tall order.
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The Movement You're Probably Skipping
Last issue I said somebody on the account management team needs to be tracking what's actually in the contracted scope.
Over-servicing never feels like a mistake while it's happening. It feels like being good at your job. The client is great, the work is going well, and throwing in another couple of hours is the generous, obvious, decent human thing to do.
Then you look up and your delivery bucket is sitting at 68% instead of the 40-55% we talked about in AIC #181, and that prepaid profit you were so disciplined about is gone. Nobody screwed up, really… but the nice people that work with you were nice enough to give the nice people on the client side more than they paid for….
Run the math from last issue against your own accounts. If a unit of work is priced at 30 minutes and it actually takes 45, and your client bought 100 units, you just gave away half the work for free. Nobody chose that. It happened because nobody was watching the scope.
An account manager who doesn’t feel like they can or understand how to tell a client NO isn’t being the Voice of the Agency…
While we're in here, let me clean up something from AIC #29, because a few of you are sharp enough to have caught it. In that issue I was pretty pleased about AI shoving agencies off time-and-materials billing. Last issue I told you to have your team track their time for a week every other month. Those two things aren't in conflict, but I never spelled out exactly why:
Your pricing power is based on the value you deliver. Your margin is a function of time.
So What Do You, The Agency Leader, Actually Own In The Account Management Function?
Run the Kilroy Matrix against your account management list. It gets brutal in a hurry.

Firing a client is a one-way door, so that one is yours.
Re-scoping or repricing a contract is also a one-way door, and it's also yours.
A genuine rupture, the kind where trust is actually broken and somebody has to go fix it, is yours.
A real strategic pivot in what the client is trying to win is maybe yours, and probably shared.
The weekly call is not yours.
The QBR is not yours, and it's worth more without you in it, because running that room is exactly how your account manager earns the standing to lead.
The recap email does not need your opinion on it. Seriously, don't even tell me you were thinking about it.
Same uncomfortable RACI MATRIX conclusion as last issue: You are accountable for the success of the relationship, BUT you should be responsible for damn near none of the day to day engagement.

Your Job, In Four Bars
Write the score: Define what good looks like for every element on that list, in writing, so somebody who isn't you can play it.
Cast your conductor: Hire or develop somebody whose actual job is orchestration instead of task management. If your best account manager is just your best media buyer with a new title, you haven't staffed this function. You've relabeled somebody.
Listen to the performance, not the rehearsal: Your focus is whether the client got what they paid for and whether they feel led, not whether the recap went out.
Stay off the white steed: When a call goes badly, and it will, you debrief your conductor afterward. You don't take the podium.
Number four requires enormous restraint, but it is the essential exercise of management.
Next Up
Two functions are left, sales and marketing. Those are going to be different from everything we've covered so far, because they're the two you're actually supposed to keep, at least for a while. That should be a fun couple of issues.
One Last Thing
An orchestra doesn't need the composer in the room to play the piece beautifully. It needs the piece to be written.
The difference between owning an agency and owning a job isn't revenue. It's whether your client asks for you, or asks for your team.






